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・ The Cat and the Coup
・ The Cat and the Fiddle
・ The Cat and the Fiddle (album)
・ The Cat and the Fiddle (film)
・ The Cat and the Fiddle (musical)
・ The Cat and the King
・ The Cat and the Kit
・ The Cat and the Mermouse
・ The Cat and the Mice
・ The Cat and the Mouse
・ The Cat Ate My Gymsuit
・ The Cat Burglar
・ The Cat Came Back
・ The Cat Came Back (1936 film)
・ The Cat Came Back (1988 film)
The Cat Concerto
・ The Cat Creeps
・ The Cat Creeps (1946 film)
・ The Cat Empire
・ The Cat Empire (album)
・ The Cat Empire (EP)
・ The Cat Empire discography
・ The Cat from Hell
・ The Cat from Outer Space
・ The Cat Funeral
・ The Cat Has Nine Lives
・ The Cat Heads
・ The Cat House on the Kings
・ The Cat in the Hat
・ The Cat in the Hat (disambiguation)


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The Cat Concerto : ウィキペディア英語版
The Cat Concerto

''The Cat Concerto'' is a 1947 American one-reel animated cartoon and is the 29th ''Tom and Jerry'' short, produced in 1946 and released to theatres on April 26, 1947 and reissued for a re-release in 1955 by Metro-Goldwyn Mayer. It was produced by Fred Quimby and directed by William Hanna and Joseph Barbera, with musical supervision by Scott Bradley, and animation by Kenneth Muse, Ed Barge and Irven Spence and additional animation by Richard Bickenbach (uncredited). It won the 1946 Academy Award for Best Short Subject: Cartoons. In 1994 it was voted #42 of the 50 Greatest Cartoons of all time by members of the animation field. The short won the duo their fourth consecutive Academy Award for Best Animated Short Film. The short also appears in Empire Magazine's The 500 Greatest Movies of All Time list as the number 434.〔http://www.empireonline.com/500/13.asp〕
==Plot==
A stage is set in an auditorium. In a formal concert, Tom, a piano virtuoso, is giving a piano recital of "Hungarian Rhapsody No. 2" by Franz Liszt. Jerry, who is sleeping inside the piano, is rudely awakened by the hammers, then sits on top of the piano to mock the cat by "conducting" him. Tom flicks Jerry off the piano. Tom continues playing without any interruptions.
Jerry arises from under one of the keys. Tom plays tremolo on this key, knocking Jerry on the head, and then Jerry runs back and forth underneath. Tom smashes the mouse under the keys, plays the main theme of the rhapsody, and when Tom lifts his two fingers from playing a trill, the piano continues playing. He looks over the edge of the piano and spots Jerry playing the felts from inside. To quiet him, he whacks Jerry with a tuning tool. Jerry retaliates by slamming the piano lid onto Tom's fingers. Tom still plays, and then Jerry pops out on the far right of the piano to attempt to cut Tom's finger with a pair of scissors as he plays a note from the very highest minor third of the piano. After the sixth miss, Jerry pants from this effort, and then substitutes a mousetrap for the white keys just below it. Tom plays the keys on either side for a few seconds but eventually, Tom's finger gets caught in the trap.
Jerry prances up and down on the piano, upon which Tom climbs and proceeds to play with his feet. As Tom gets back down to play with his fingers, Jerry dances around on the felts, momentarily changing the tune from the rhapsody to "On the Atchison, Topeka and the Santa Fe". Tom then plays a chord where the mouse is standing repeatedly, receiving increasingly rude gestures in return, and eventually catches the mouse and stows him into the piano stool. Jerry then crawls out of an opening and manipulates the seat's controls, cranking it up, and sending it crashing down.
Tom stuffs Jerry into the felts and then goes crazy on the piano, as if to say, "You're going to get it, mister!" The felts take on a life of their own, bashing Jerry about, spanking him, and squashing him to and throw. Eventually, Jerry gets squashed and comes out, very angry about this, and then breaks off some felts as his sticks and plays the finale of the rhapsody in one last retaliation. Jerry constantly increases the speed of his playing, plays two false endings, and generally taunts him, such that Tom is left with raggedy clothes and collapses at the end of the tune. The audience then applauds for the performance, but instead of Tom receiving the praise, Jerry pretends to take it for himself bowing to the audience.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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